10/22/2023 0 Comments Photoscore ultimate 8 reviewThen that evolved into what you see today. “For years, especially when I first started out in my early days, I got an MPC, and I emulated all of my heroes,” Marshall says. The two of us chatted over Zoom and email, touching on his influences, people’s misconceptions about “throwback” music, and how this affects a listener’s perception of the work. Marshall has some illuminating thoughts on the subject that have been informed by his experiences. Of course, summarizing an artist’s work this way has its limitations, glossing over nuances that make the listening experience worthwhile. Maybe I’ll give it a listen.”īuscrates’ sound, which takes major stylistic cues from two genres of Black American music past their mainstream moment, is an easy target for this type of critical fodder. It’s a way to get people to say, “Sounds cool. It’s a way to locate a new release in a cultural and historical context. It’s a way to summarize an abundance of auditory information. It’s a way to orient potential listeners as to what they might expect to hear. The press release write-ups for Control Center do the same, as have reviews from publications like Treble, Scratched Vinyl, and Bandcamp Daily. Boiling my sound down to two specific genres that influence my musical direction gives the listener a general sense of what to expect, but it does not paint the entire picture.” Control Center by BusCrates Control Center by BusCratesĪ common critical faux-pas is to describe a piece of music by reducing it to a combination of styles that have existed in some supposedly purer form. “It doesn’t seek to be an exact copy of any specific era. “My sound is a culmination of music I grew up hearing, but with a modern twist,” Buscrates says. The record showcases an artist who has matured into his sound, one who has found a way to build from familiar foundations to make music he finds fresh and meaningful. As a solo artist, he combines the raw boom-bap beats of early 1990s hip-hop with the decadent sheen of early 1980s synth-funk.Ĭontrol Center, his latest full-length release as Buscrates, organically fuses the two genres without leaning on tired tropes. As a member of East Liberty Quarters, Marshall brought his passion for vintage synthesizers to the Pennsylvania trio’s 1980s-inspired electronic funk flavors. Orlando Marshall, the Pittsburg-based musician known as Buscrates, has been honing his sound for over 20 years. A lazy producer might log into Splice, download a generic one-shot, run it through a compressor, and call it a day. Drum fanatics futz for days behind mixing boards trying to sculpt a snare this tight. The sound is dry and bright with a trebly glimmer. It’s more of a crack, really, like a wooden board broken underfoot. The first thing you hear is the snap of the snare.
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